{"id":5420,"date":"2026-09-11T10:10:41","date_gmt":"2026-09-11T10:10:41","guid":{"rendered":"https:\/\/artsofbali.com\/?p=5420"},"modified":"2026-09-11T10:10:44","modified_gmt":"2026-09-11T10:10:44","slug":"mahabharata-kamasan-painting","status":"publish","type":"post","link":"https:\/\/artsofbali.com\/fr\/mahabharata-kamasan-painting\/","title":{"rendered":"Mahabharata Kamasan Painting: Bali&#8217;s Version of India&#8217;s Epic War"},"content":{"rendered":"<div id=\"aob-custom-article\">\n\n<!-- CONTRAST FIX: known sitewide bug, .cta-btn.outline renders near-invisible\n     white text on the cream .cta-block background. Scoped fix per house\n     convention, same as recent topics. -->\n<style>\n#aob-custom-article .cta-btn.outline { color: #2c1810 !important; }\n<\/style>\n\n<div class=\"definition-box\">\n  <p>A Mahabharata Kamasan painting depicts scenes from the Mahabharata, the 18-book Sanskrit epic about a war between two royal families, painted in Kamasan style: flat wayang-shaped figures, natural pigments, and gold leaf, the same visual language Bali uses for its shadow puppets. It&#8217;s one of Kamasan painting&#8217;s two core source epics, the other being the Ramayana, and Balinese versions of it don&#8217;t come from the Sanskrit original directly but from an Old Javanese poem written centuries later.<\/p>\n<\/div>\n\n<div class=\"highlight-inline\">\n  <p><strong>Key Takeaways<\/strong><\/p>\n  <ul class=\"quality-list\">\n    <li>The Mahabharata is an 18-book Sanskrit epic centered on a war between the Pandava brothers and their cousins, the Kaurava, over the throne of the Kuru kingdom.<\/li>\n    <li>Balinese Mahabharata Kamasan painting doesn&#8217;t draw on the Sanskrit original directly. It draws on Kakawin Bharatayuddha, an Old Javanese poem covering the war books, begun by Mpu Sedah and finished by Mpu Panuluh in 1157 CE, in the Kediri kingdom.<\/li>\n    <li>Arjuna Wiwaha, already covered in Arts of Bali&#8217;s separate guide, is a different, narrower Old Javanese poem. It follows one Pandava brother through one trial, not the full war between both families.<\/li>\n    <li>Recurring figures Kamasan painters draw on include the five Pandava brothers, the hundred Kaurava cousins led by Duryodhana, the elder Bhishma, the teacher Drona, the tragic warrior Karna, and Krishna in his role as Arjuna&#8217;s charioteer and advisor.<\/li>\n    <li>In wider Hindu tradition, the Mahabharata is said to have been dictated by the sage Vyasa and written down by Ganesha, who broke off his own tusk to keep writing without pausing.<\/li>\n    <li>Arts of Bali carries an original Kamasan-style painting, 42 \u00d7 87cm, depicting a gathering of court figures in this tradition.<\/li>\n  <\/ul>\n  <p><em><strong>Definition:<\/strong> A Mahabharata Kamasan painting is a Balinese wayang-style work depicting figures and scenes from the Mahabharata, reaching Bali through an Old Javanese poetic adaptation rather than the Sanskrit epic directly.<\/em><\/p>\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 INTRODUCTION \u2550\u2550\u2550 -->\n<p>Walk past a row of Kamasan paintings in a Balinese gallery and two epics account for most of what&#8217;s on the wall. One is the Ramayana, already covered in Arts of Bali&#8217;s guides to <a href=\"\/fr\/barong-painting-bali\/\">Barong painting<\/a> et <a href=\"\/fr\/peinture-de-la-mythologie-balinaise\/\">Balinese mythology painting<\/a>. The other is the Mahabharata, a longer, harder story about a war between cousins, and it&#8217;s the one this guide is about.<\/p>\n\n<p>This isn&#8217;t a guide to one specific scene. It&#8217;s a guide to the Mahabharata itself, as Kamasan painters have used it for centuries: what the story actually is, how it reached Bali in a form quite different from the Sanskrit original, which characters and moments keep reappearing, and how it differs from Arjuna Wiwaha, a related but separate story Arts of Bali has already covered in depth.<\/p>\n\n\n<!-- IMAGE HERO | product id 5347 \"The Court of Mahabharata Sages Kamasan Painting\", Rp3,000,000, 42x87cm, Kamasan style on canvas. Image ghshyjif2f1mwwsprutt_2_11zon.webp. Landscape, dims CONFIRMED 1600x1200 via live file check 11 Sep 2026. Product's own description is deliberately general (\"a gathering of sacred figures and noble characters from the Mahabharata epic\") -- caption below matches that honesty, does NOT claim to identify the specific scene\/characters shown, per Herry's explicit direction (11 Sep 2026) to frame this piece illustratively rather than pin an exact identification. -->\n<div class=\"img-block landscape\">\n  <img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/artsofbali.com\/wp-content\/uploads\/2026\/08\/ghshyjif2f1mwwsprutt_2_11zon.webp\" alt=\"Mahabharata Kamasan painting showing noble and sacred figures in traditional Balinese wayang style, Arts of Bali Seminyak\" loading=\"eager\" width=\"1600\" height=\"1200\" title=\"- Arts of Bali\">\n  <div class=\"img-meta\">\n    <p class=\"caption\">Arts of Bali&#8217;s &#8220;The Court of Mahabharata Sages,&#8221; 42 \u00d7 87cm, hand-painted in classic Kamasan style. Like most Kamasan works sold as decor rather than temple pieces, the gallery presents this as a general court\/gathering scene from the Mahabharata tradition rather than one specific, named episode. <a href=\"https:\/\/artsofbali.com\/fr\/galerie\/the-court-of-mahabharata-sages-kamasan-painting\/\" title=\"The Court of Mahabharata Sages Kamasan Painting product page\">View this piece &amp; price<\/a><\/p>\n  <\/div>\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 SECTION 1 \u2014 WHAT THE MAHABHARATA IS \u2550\u2550\u2550 -->\n<span class=\"section-label\">The Epic<\/span>\n<h2 class=\"section-h2\">Mahabharata Kamasan Painting: What Story Is Actually Being Told?<\/h2>\n\n<p>The Mahabharata is one of the two great Hindu epics, an 18-book Sanskrit narrative centered on a succession dispute that turns into all-out war. Two branches of one royal family, the five Pandava brothers and their hundred cousins, the Kaurava, both lay claim to the Kuru kingdom. A rigged dice game strips the Pandava of their kingdom and sends them into years of exile; when they return, the throne still isn&#8217;t handed back, and the dispute escalates into the eighteen-day Kurukshetra war that gives the epic its ending. (The name &#8220;Mahabharata&#8221; itself comes from Bharata, the shared royal ancestor both branches descend from, not from the war or the battlefield.) It&#8217;s a story about succession, pride, and the cost of choosing advantage over duty, with a body count and a moral weight that&#8217;s kept storytellers, sculptors, and painters returning to it for more than two thousand years.<\/p>\n\n<p>In wider Hindu tradition, the epic&#8217;s own origin has a story attached to it: the sage Vyasa is said to have composed the Mahabharata and needed a scribe fast enough to keep up. Ganesha took the job on one condition, that Vyasa never pause his dictation, and when his pen broke partway through, Ganesha is said to have snapped off the tip of his own tusk rather than stop writing, one of the traditional explanations for why Ganesha is so often shown with a single, broken tusk.<\/p>\n\n\n<!-- \u2550\u2550\u2550 SECTION 2 \u2014 HOW IT REACHED BALI \u2550\u2550\u2550 -->\n<span class=\"section-label\">The Journey<\/span>\n<h2 class=\"section-h2\">How the Mahabharata Reached Bali: Not a Direct Translation<\/h2>\n\n<p>Balinese Mahabharata Kamasan painting doesn&#8217;t draw on the Sanskrit epic itself. Like the story covered in Arts of Bali&#8217;s separate guide to <a href=\"\/fr\/arjuna-wiwaha-painting\/\">Arjuna Wiwaha painting<\/a>, it reached Bali through Old Javanese literature written centuries after the Sanskrit original and centuries before it ever crossed to Bali. The specific text behind most Mahabharata war imagery is Kakawin Bharatayuddha, a poem covering the climactic war books of the epic, begun by the court poet Mpu Sedah and completed by Mpu Panuluh in 1157 CE, during the Kediri kingdom&#8217;s rule over East Java. It&#8217;s a poetic adaptation rather than a line-by-line translation, reshaped into Old Javanese verse forms, and it went on to become one of the most widely copied works in the entire Old Javanese literary tradition, with manuscript copies surviving in libraries worldwide.<\/p>\n\n<p>That&#8217;s the same pattern behind Arjuna Wiwaha, composed over a century earlier by Mpu Kanwa under a different East Javanese king, Airlangga. Both poems take an episode or arc connected to the Mahabharata and turn it into an independent Old Javanese literary work with its own author and its own text. Balinese painters, and the wayang kulit puppeteers whose visual style Kamasan painting shares, generally work from these Old Javanese adaptations and the oral and performance traditions built on top of them, not from the Sanskrit epic directly.<\/p>\n\n<div class=\"pull-quote\">\n  <p>What hangs on a Balinese wall as &#8220;the Mahabharata&#8221; is already a translation of a translation: Sanskrit epic, into Old Javanese court poem, into centuries of Kamasan visual tradition.<\/p>\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 SECTION 3 \u2014 RECURRING CHARACTERS AND SCENES \u2550\u2550\u2550 -->\n<span class=\"section-label\">Who Appears<\/span>\n<h2 class=\"section-h2\">Recurring Mahabharata Figures in Kamasan Painting<\/h2>\n\n<p>A handful of figures and moments show up again and again across Kamasan Mahabharata work, whether the piece is a temple painting or a decorative canvas. The five Pandava brothers anchor the story&#8217;s moral center: Yudhishthira, the eldest, associated with restraint and duty; Bhima, built for raw strength; and Arjuna, the archer, whose own separate trial is the subject of Arjuna Wiwaha rather than the war narrative covered here. Opposing them are the Kaurava cousins, a hundred brothers led by Duryodhana, whose refusal to honor the dice game&#8217;s terms is what turns a succession dispute into a war.<\/p>\n\n<p>Around both sides stand figures whose loyalties complicate the story rather than simplify it: Bhishma, the elder statesman bound by an old vow to defend the throne regardless of who sits on it; Drona, the teacher who trained both sides and fights for the Kaurava anyway; Karna, a tragic figure whose true parentage as a Pandava half-brother is hidden for most of the story; and Krishna, who takes no weapon into the war himself but serves as Arjuna&#8217;s charioteer and advisor, the role at the center of the Bhagavad Gita.<\/p>\n\n<p>Visually, Kamasan painters signal a Mahabharata war scene with a recognizable set of cues: massed battle formations, warriors on horseback, chariot wheels marking out commanders, ceremonial umbrellas indicating rank, and crowds of foot soldiers filling out the composition, the same visual grammar covered in more depth in Arts of Bali&#8217;s guide to <a href=\"\/fr\/peinture-de-la-mythologie-balinaise\/\">Balinese mythology painting<\/a>. Court and gathering scenes, like the piece Arts of Bali currently carries, use a quieter visual language instead: rows of seated or standing figures in elaborate crowns and formal dress, without the battlefield markers, typically drawn from the epic&#8217;s councils, exiles, or ceremonial moments rather than its combat.<\/p>\n\n\n<!-- IMAGE | detail crop of the same product, id 5337. Dims CONFIRMED 1592x2123 (portrait) via live file check 11 Sep 2026. Shows close detail: a pale, rounded attendant figure flanked by two gold-crowned noble figures. Caption deliberately describes only what's visually apparent (crown\/costume detail, general attendant figure), does NOT claim specific character identity, consistent with the product's own general framing. -->\n<div class=\"img-block\">\n  <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/artsofbali.com\/wp-content\/uploads\/2026\/08\/o58ggncjbukzvvm8gdxw_6_11zon.webp\" alt=\"Detail of a Mahabharata Kamasan painting showing gold-crowned noble figures and an attendant, fine wayang-style linework\" width=\"1592\" height=\"2123\" title=\"- Arts of Bali\">\n  <div class=\"img-meta\">\n    <p class=\"caption\">Detail from the same canvas: the fine crown and costume linework and the rounded, softer-featured attendant figure typical of Kamasan court scenes, painted alongside the taller, sharper-featured noble figures.<\/p>\n  <\/div>\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 SECTION 4 \u2014 MAHABHARATA VS RAMAYANA VS ARJUNA WIWAHA \u2550\u2550\u2550 -->\n<span class=\"section-label\">Telling Them Apart<\/span>\n<h2 class=\"section-h2\">Mahabharata, Ramayana, and Arjuna Wiwaha: Not the Same Story<\/h2>\n\n<p>Shoppers and collectors often use &#8220;Mahabharata,&#8221; &#8220;Ramayana,&#8221; and &#8220;Arjuna Wiwaha&#8221; somewhat interchangeably when talking about Kamasan or wayang-style painting, and it&#8217;s worth being precise. The Ramayana is a separate Sanskrit epic entirely, centered on Rama&#8217;s search for his abducted wife Sita, with Hanuman and the demon king Rahwana as its defining figures rather than anyone from the Mahabharata&#8217;s cast. The Mahabharata, covered in this guide, is the longer, family-turned-war epic behind the Pandava and Kaurava. Arjuna Wiwaha sits closer to the Mahabharata than the Ramayana does, since its hero is one of the five Pandava brothers, but it&#8217;s narrower and more self-contained: one Old Javanese poem following Arjuna through a single extended trial of asceticism and temptation, not the multi-generational succession dispute and war that the Mahabharata, and Kakawin Bharatayuddha specifically, are actually about.<\/p>\n\n<p>Put simply: if a piece shows one hero, alone, being tested, it&#8217;s more likely drawing on Arjuna Wiwaha. If it shows two opposing groups, battle formations, or a full court scene, it&#8217;s more likely drawing on the broader Mahabharata tradition this guide covers.<\/p>\n\n\n<!-- \u2550\u2550\u2550 SECTION 5 \u2014 GALLERY CONTEXT \u2550\u2550\u2550 -->\n<span class=\"section-label\">In The Gallery<\/span>\n<h2 class=\"section-h2\">Mahabharata Painting at Arts of Bali<\/h2>\n\n<p>Arts of Bali&#8217;s Mahabharata piece, &#8220;The Court of Mahabharata Sages,&#8221; is a 42 \u00d7 87cm Kamasan-style painting on canvas, framed in warm wood, painted in the same classical technique covered in Arts of Bali&#8217;s broader <a href=\"\/fr\/peinture-kamasan-bali\/\">guide to Kamasan painting<\/a>. In keeping with how the gallery describes it, this guide treats it as a general court and gathering scene within the wider Mahabharata tradition rather than claiming to identify one specific, named episode, since the piece itself wasn&#8217;t sold to Arts of Bali with that level of documentation. For the war-scene visual cues Kamasan painters use elsewhere in this tradition, and for Bali&#8217;s other major epic, see the guide to Balinese mythology painting linked above; for the related but narrower story of Arjuna&#8217;s trial, see the separate Arjuna Wiwaha guide.<\/p>\n\n<p>Arts of Bali&#8217;s Mahabharata painting is on display now at Jl. Raya Seminyak No. 42, Seminyak, alongside the gallery&#8217;s wider collection of Kamasan and wayang-style work.<\/p>\n\n\n<!-- \u2550\u2550\u2550 PRIMARY CTA \u2550\u2550\u2550 -->\n<div class=\"cta-block\">\n  <h2 class=\"section-h2\">An Original Mahabharata Kamasan Painting<\/h2>\n  <p>Arts of Bali&#8217;s &#8220;The Court of Mahabharata Sages&#8221; is a 42 \u00d7 87cm hand-painted Kamasan-style canvas, part of the gallery&#8217;s current Seminyak collection.<\/p>\n  <a href=\"https:\/\/wa.me\/6285237454011\" class=\"cta-btn\" target=\"_blank\" rel=\"noopener noreferrer\">Discuter sur WhatsApp<\/a>\n  <a href=\"https:\/\/artsofbali.com\/fr\/galerie\/the-court-of-mahabharata-sages-kamasan-painting\/\" class=\"cta-btn outline\">View This Painting &amp; Price<\/a>\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 FAQ ACCORDION \u2550\u2550\u2550 -->\n<span class=\"section-label\">FAQ<\/span>\n<h2 class=\"section-h2\">Questions fr\u00e9quemment pos\u00e9es<\/h2>\n\n<div class=\"faq-section\">\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">What is the Mahabharata?<\/summary>\n    <p class=\"faq-answer\">The Mahabharata is an 18-book Sanskrit epic centered on a war between the five Pandava brothers and their hundred cousins, the Kaurava, over the throne of the Kuru kingdom, triggered by a rigged dice game and a broken promise to return the Pandava&#8217;s kingdom after exile.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">How did the Mahabharata reach Bali?<\/summary>\n    <p class=\"faq-answer\">Not directly from Sanskrit. Balinese Mahabharata Kamasan painting draws mainly on Kakawin Bharatayuddha, an Old Javanese poem covering the war, begun by Mpu Sedah and completed by Mpu Panuluh in 1157 CE during the Kediri kingdom&#8217;s rule.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">Is Arjuna Wiwaha part of the Mahabharata?<\/summary>\n    <p class=\"faq-answer\">Arjuna Wiwaha&#8217;s hero, Arjuna, is one of the five Pandava brothers from the Mahabharata, but Arjuna Wiwaha itself is a separate, narrower Old Javanese poem following his single trial of asceticism, not the larger succession dispute and war the Mahabharata is centered on.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">What is Bharatayuddha?<\/summary>\n    <p class=\"faq-answer\">Bharatayuddha refers to the climactic 18-day war of the Mahabharata, and to Kakawin Bharatayuddha, the Old Javanese poem covering it, one of the most widely copied works in Old Javanese literature and the main text behind most Balinese war-scene Mahabharata painting.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">Who are the Pandava and the Kaurava?<\/summary>\n    <p class=\"faq-answer\">The Pandava are five brothers, Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva, who are the Mahabharata&#8217;s protagonists. The Kaurava are their hundred cousins, led by Duryodhana, whose refusal to honor a dice-game wager escalates into full war.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">What recognizable figures or scenes appear in Kamasan Mahabharata paintings?<\/summary>\n    <p class=\"faq-answer\">Common figures include the five Pandava brothers, Duryodhana and the Kaurava, the elder Bhishma, the teacher Drona, the warrior Karna, and Krishna in his role as Arjuna&#8217;s charioteer. War scenes are marked by battle formations and chariots; court scenes show seated or standing crowned figures without battlefield cues.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">What&#8217;s the difference between Mahabharata and Ramayana painting in Bali?<\/summary>\n    <p class=\"faq-answer\">They&#8217;re separate Sanskrit epics with different casts. The Ramayana centers on Rama&#8217;s search for his abducted wife Sita, with Hanuman and the demon king Rahwana as key figures. The Mahabharata centers on the Pandava-Kaurava succession war and has no overlapping main characters.<\/p>\n  <\/details>\n\n  <details class=\"faq-item\">\n    <summary class=\"faq-question\">Who is said to have written down the Mahabharata?<\/summary>\n    <p class=\"faq-answer\">In wider Hindu tradition, the sage Vyasa is credited with composing the Mahabharata, dictating it to Ganesha as scribe. Ganesha is said to have broken off the tip of his own tusk to keep writing without pausing, one traditional explanation for his broken tusk.<\/p>\n  <\/details>\n\n<\/div>\n\n\n<!-- \u2550\u2550\u2550 TAG ROW \u2550\u2550\u2550 -->\n<div class=\"tag-row\">\n  <a href=\"https:\/\/artsofbali.com\/fr\/etiquette\/peinture-de-la-mythologie-balinaise\/\" class=\"tag\">Balinese Mythology Painting<\/a>\n  <a href=\"https:\/\/artsofbali.com\/fr\/etiquette\/balinese-fine-art\/\" class=\"tag\">Beaux-arts balinais<\/a>\n  <a href=\"https:\/\/artsofbali.com\/fr\/etiquette\/galerie-dart-seminyak\/\" class=\"tag\">Galerie d'art Seminyak<\/a>\n<\/div>\n\n<\/div>\n<!-- END #aob-custom-article -->\n\n\n\n<script type=\"application\/ld+json\">{\n    \"@context\": \"https:\\\/\\\/schema.org\",\n    \"@graph\": [\n        {\n            \"@type\": \"Article\",\n            \"@id\": \"https:\\\/\\\/artsofbali.com\\\/mahabharata-kamasan-painting\\\/#article\",\n            \"headline\": \"Mahabharata Kamasan Painting: Bali's Version of India's Epic War\",\n            \"description\": \"Mahabharata Kamasan painting draws on an Old Javanese poem, not Sanskrit directly. 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return the Pandava's kingdom after exile.\"\n                    }\n                },\n                {\n                    \"@type\": \"Question\",\n                    \"name\": \"How did the Mahabharata reach Bali?\",\n                    \"acceptedAnswer\": {\n                        \"@type\": \"Answer\",\n                        \"text\": \"Not directly from Sanskrit. Balinese Mahabharata Kamasan painting draws mainly on Kakawin Bharatayuddha, an Old Javanese poem covering the war, begun by Mpu Sedah and completed by Mpu Panuluh in 1157 CE during the Kediri kingdom's rule.\"\n                    }\n                },\n                {\n                    \"@type\": \"Question\",\n                    \"name\": \"Is Arjuna Wiwaha part of the Mahabharata?\",\n                    \"acceptedAnswer\": {\n                        \"@type\": \"Answer\",\n                        \"text\": \"Arjuna Wiwaha's hero, Arjuna, is one of the five Pandava brothers from the Mahabharata, but Arjuna Wiwaha itself is a separate, narrower Old Javanese poem following his single trial of asceticism, not the larger succession dispute and war the Mahabharata is centered on.\"\n                    }\n                },\n                {\n                    \"@type\": \"Question\",\n                    \"name\": \"What is Bharatayuddha?\",\n                    \"acceptedAnswer\": {\n                        \"@type\": \"Answer\",\n                        \"text\": \"Bharatayuddha refers to the climactic 18-day war of the Mahabharata, and to Kakawin Bharatayuddha, the Old Javanese poem covering it, one of the most widely copied works in Old Javanese literature and the main text behind most Balinese war-scene Mahabharata painting.\"\n                    }\n                },\n                {\n                    \"@type\": \"Question\",\n                    \"name\": \"Who are the Pandava and the Kaurava?\",\n                    \"acceptedAnswer\": {\n                        \"@type\": \"Answer\",\n                        \"text\": \"The Pandava are five brothers, Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva, who are the Mahabharata's protagonists. The Kaurava are their hundred cousins, led by Duryodhana, whose refusal to honor a dice-game wager escalates into full war.\"\n                    }\n                },\n                {\n                    \"@type\": \"Question\",\n                    \"name\": \"What recognizable figures or scenes appear in Kamasan Mahabharata paintings?\",\n                    \"acceptedAnswer\": {\n                        \"@type\": \"Answer\",\n                        \"text\": \"Common figures include the five Pandava brothers, Duryodhana and the Kaurava, the elder Bhishma, the teacher Drona, the warrior Karna, and Krishna in his role as Arjuna's charioteer. 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It&#8217;s one of Kamasan painting&#8217;s two core source epics, the other being the [&hellip;]<\/p>","protected":false},"author":1,"featured_media":5331,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":["post-5420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-painting"],"_links":{"self":[{"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/posts\/5420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/comments?post=5420"}],"version-history":[{"count":1,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/posts\/5420\/revisions"}],"predecessor-version":[{"id":5421,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/posts\/5420\/revisions\/5421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/media\/5331"}],"wp:attachment":[{"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/media?parent=5420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/categories?post=5420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsofbali.com\/fr\/wp-json\/wp\/v2\/tags?post=5420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}